Tag Archive: director

The Sing-Off_ Season 4, Episode 6- Judges' Choice - EPWe’re coming to the end of the Armchair Director (and Judge’s) posts on the Sing Off for 2013. The ratings seem to indicate that this will definitely be back for next season. Hopefully, they can find a way to put it on the schedule more than once in a year. granted, I’m a very greedy fan of the series.

Of course while it’s off the air, I’ll be continuing the Armchair series. I’m going to be keeping Erin on as so many of you have read her posts and given it likes and +1s and the such on social media. Please also feel free to share our links if you enjoy them. Like anything in the interwebz your voice raises other voices. And in A Cappella, who could ask for more.

Of course this begs the question… what would you like the armchair(s) to look at next? And… if it’s not something we review… is it something you’d like us to reserve _you_ an armchair for?

But I greatly digress because here comes the Penultimate 2013 Sing Off Episode. The “Judge’s Choice.” Firstoff, thanks to Erin for her post on this episode. (She was so nervous that she got her post up before mine. Personally, I thought it was fantastic 😉

Of course every episode starts with a “Flashback.”

This week’s production piece was “Shake It Out.” As opposed to last episode’s “Dirty Dancing” intro; this one packed in the ‘OOMPH’ that was certainly lost in the previous. With only four groups in the production  combined with the experience of working with the production team; you can really begin to tune harmonies better. those tunings definitely showed bringing a very beautiful and nigh-angelic blend. The piece was just fantastic.

Time for the Theme and Nick to get us started.

One elimination tonight to get us to our final 3 for Monday’s BIIIIG finale. More on that at the end. Nick re-introduces us to the groups (which I think everyone else either has a favourite or happily like me is utterly stumped.) Nick, then does the short introduction of the judges. (For two hour episodes they respond, in one hour episodes they smile as their Twitter ID embosses on the screen)

Last episode was Party Anthems, this episode the judges have something truly terrifying in store for the groups. That’s right… Nick Lachey will be the mentor. Well, I guess the boy band is happy 😉 Tonight’s episode is “Judge’s Choice.” I like moving that back from the ‘Post vote’ episode. This lets the group get into their element under the gun one last time. It gives them the chance to say, “I know this song is a ‘Gimme’ now what can we do to surprise you and Give back.” To this day, I think PTX’s “Dog Days are Over” makes Florence and the Machine’s version sound like a bad cover. And the song was from the latter.

Nick as Mentor had one nice statement:

Dreams are the Foundation of Creativity

And I think that is really important on infinite levels in any line of work or play. It’s not just for this show.


filharmonic1. The Filharmonic – “Baby I need your Lovin'” – The Four Tops

What I said:

To think that I’d ever enjoy a 90’s boy band. These guys have a locked in sound. They have a style and swagger to match. Finally, they have an ear for arrangement and performance that really pulls people in. After the last episode they also have figured out how to rip their hearts to shreds to bring it to the next level. Whereas Vocal Rush comes unglued when they have fun, The Filharmonic becomes unglued when they don’t put the full emotion in. Filharmonic needs to keep focus, not make tuning errors, and be as openly honest and without fear as Vocal Rush. Low odds, but I think they have a better chance of overcoming/hiding their shortfalls better than Vocal Rush does.

Why it was picked:

Shawn Stockman: Boy bands aren’t just a creation of the 90s. They existed in the 80’s the 70’s. You have to get out of just the 90 sound and go to the root of where this came from. To Shawn Stockman this means going all the way to The Four Tops. This is an iconic example of the type of sound that it all comes from. What Stockman and the judges need to see is that the harmonies stay locked. Practice them. In Nick’s mentoring he tells the group that 98 Degrees would practice by breaking the harmonies into pairs, singing two parts on their own, then bringing them back together.

Going In:

I gave The Filharmonic 12.5:1 with a slight edge over Vocal Rush. These two groups have very specific (and at times opposite problems.) It’s up to both of them to see who can fix themselves better. Filharmonic has the numbers and the technique, Vocal Rush has the Passion.

The Performance:

It was clean. The brought the harmonies in tighter. They had a mature show. he choreography definitely fit the style. There was some build. But there’s where the problem was. There was some build but not enough. The crowd loved them (which is sadly hard to gauge the level of authenticity vs. Televised engineering). The ending was just a bit on the abrupt side. Honestly, I (and likely the judges) wanted more.

The Judges:

Shawn: Slick Choreography. Figured how to get the screams. Build up didn’t get any higher. You need to get to the full build.

Jewel: Definitely locked the harmonies. Let a classic be a classic. Shows restraint and maturity.

Ben: Took the notes and worked on the pitch. Dropped the rhythm ball. That sells a lot of record. Still got a little ways to go

At this point I have The Filharmonic on the Bottom. (Sad day… As always, I do like them all)

NBC cut to a break and after one commercial there was a technical glitch. (Was this national or local?) The NBC peacock image was on the screen, rotated some colours and then went away. It did this for about 3-4 times. I referred to is as Hypno-Peacock for the fans of Futurama out there. The show came back only slightly into Nick’s welcome back.


USO5-2T_R2. Ten – “Proud Mary” – Ike and Tina Turner

What I said:

I was not a big fan of Ten going in. Gospel and R&B has to kick me so hard I’m grateful for it to really touch me. Ten’s initial foray was very scattered. You could tell it was 10 really good singers looking to come together. While it’s not obvious from the crunched in schedule; taping for this series was over weeks rather than days. Ten has obviously matured and coalesced into a group. They will only get better with each performance. Good odds for survival tonight.

Why it was picked:

Ben Folds: Ben’s comments are short. We really think that Ten can make this song explode. The intro talks about how Skyfall was very strong for them stylistically, but the group is overjoyed at this choice. They are certain that the judges have no idea how much of a “Gimme” this one is. They are certain that they will “Blow the roof off.” From a mentoring point of view the group asks Nick how to maintain respect within the group. He talks about how any number of group members will have disagreements, but you ALWAYS keep the respect. Don’t confuse conflict with lack of respect. (Good advice)

Going In:

My odds of survival for Ten were a near even 2:1. Ten’s biggest problem was the obvious lack of cohesion for a new group. Ten has very clearly conquered that. Now they stand toe to toe with the other strong groups and their real issue is finding a unique sound that tells us what the group is beyond straight Gospel/R&B. Sadly, this song is not really going to give them a lot of room to get out of that niche. As long as they don’t utterly fall apart, they are in.

The Performance:

I love the narrative opening. It put’s a “Kids, sit down while the grown ups give you a lesson in music” and of course then explodes. It was a slow entry and then a wild ride. This packed a lot of punch. Granted, they are up against the MIGHTY Tina Turner. They hold their own well. And the lead singer does some great Tina. It’s fun, it may be a bit too much. This does not affect the singing. I loved it. But they probably could even have been wilder. I have mental images of live performances from the late 60’s and early 70’s where it was just a PARTY. This was a Party, it just didn’t reach PARTY

The Judges:

Ben: That was really strong. The intro was so perfectly behind the beat. Don’t fall back on the muscle. DOn’t be afraid to take risks.

Shawn: Very Proud. Deedee killed it. No doubt while you’re still in it. Because I know how powerful you are.. The DooDoo was to tame. Get the blowback effect. Still more to give.

Jewel: Big shoes to fill DeeDee, you did a great job. Great Growl. Still hit the clear crystal tone. Looks as artists. We need to see you as an artists. Missing identity outside of Gospel. What kind of records do you want to cut.

My ranking:

  1. Ten
  2. The Filharmonic

Going into commercial:

Shawn comments that it was still too mellow.

From Twitter:

@elielandau (Of who I have become a fan and now follow) “Wait. You don’t understand their identity outside of gospel, but you gave them “Proud Mary”? What did you think they would do?”


home-free3. Home Free – “Colder Weather” – Zac Brown Band

What I said:

A Cappella-Country with a great cross over sound, a stunning lead vocalist, an unbelievable bass (No worries, still a fan of the Avi the Bass Canon), and of course who could forget, a beard! Home Free has a sound that isn’t just original, it’s tight and creative. I was worried in the early weeks that they were getting formulaic, but they managed to find a surprise in each episode. Good odds for survival tonight.

Why it was picked:

Jewel points out that they haven’t really touched on the ballad during the run of the series. This will force them to bring up the emotional tug of a song. In the intro Nick mentors the group to Hone in on the emotion of the song. They need to ‘feel it’ otherwise the audience won’t ‘buy it.’ The emotion needs to come from a real place. The pre-produced skit is humourous as they all go in to a barbershop to get cleaned up and suggest that Rob “The Beard” has shaved. Which he hadn’t. But fun.

Going in:

I gave Home Free 2.5:1 or just slightly less than Ten’s chances to survive. Meaning these are my two top picks.  Home Free has truly found the way give us a slightly different look with songs and I have no doubt (Too soon?) that they will give an amazing ballad and clearly sail to the final 3.

The Performance:

Rob “The Beard” leads the vocals. This is a huge change. It’s not as strong as Tim or Austin, but it is pure and honest. This is hugely what the judges wanted. As the tempo comes up the other vocalists come in. Austin brings in the next wave. There’s almost no choreography, but the sound and the emotion are clear. This group has nailed what they needed to.

The Judges:

Shawn: Rob: Wow. That was really nice to hear you step out. Austin: This boy is a beast. A slight fluctuation in pitch. Still a treat.

Ben: As artists some of the best stuff is the scariest stuff. If you can step off the ledge… Do it. Get out of your comfort some.  Great generous performance.

Jewel: Less is more when you have talent. And you do. You shy away from your comfort zone. Austin don’t be afraid of your comfort zone.

My ranking:

  1. Home Free
  2. Ten
  3. The Filharmonic

From Twitter: ‏

@IoannesMartinus (John Martin Tenor from season 2’s Street Corner Symphony) – So, when Shawn said there were some pitch issues, did he mean that one IV chord that wasn’t quite solid?



vocal-rush4. Vocal Rush – “My Songs Know What You Did In The Dark” – Fallout Boy

What I said:

Every episode they show more depth, more maturity, and more style. This group has so many different and eclectic weapons in their musical arsenal to call from. Vocal Rush’ ongoing danger has come from their biggest asset. They know no fear. The put it all honestly out there and that means if it’s fun, they are going to bring the party. And the care-free attitude is where the really hard hitting songs begin to break down. If they can conquer this, they’re in… If they let it get away from them, the other thing that will get away is the competition. Sadly… Lowest odds for survival tonight.

Why it was picked:

Back to Ben Folds. They’ve been singing a lot of ‘Old People’ music. Time to sing something from their time. In the Intro the group talks about how they feel like they’ve transformed from being just “Those High School kids” into a respected team on the show. They feel they have an enormous chip on their shoulder and want to prove that they can make it all the way.

Going in:

I gave Vocal Rush the worst odds to make it into the finals. At the time I felt badly. Barring a home run or a complete meltdown, combined with the Filharmonic not really bringing it, I am pretty sure they are in. The question is how badly will they have to fight in an “Ultimate Sing Off” if it’s not a home run?

The Performance:

Vocal Rush has been holding back. The old songs they work for. This was the first time I heard them sound effortless. This was also a new experience for me. They made “The Wall Of Sound” work for me. And I don’t say that lightly. The energy did not damage the harmonies. While I acknowledge my ear is not best for that; they sounded better than they ever have. The energy from the group was astounding. I’m honestly believing this was their first home run if not a grand slam.

The Judges:

Jewel: You did so many things right. You sound like an artist. Collective Identity. You lived up to the pyro blast.

Ben: I was rocking. First time I was glad to be wearing glasses. Playful drama. Only thing I noticed: the 5 chord below the chorus.

Shawn: You take on every song with reckless abandon. You take it on full. With every song.  Technically: The bridge was so hyped that you didn’t give yourself to take it down before up again. The little things. The schmaltz.

My ranking:

  1. Vocal Rush
  2. Home Free
  3. Ten
  4. The Filharmonic

My call for the Ultimate Sing Off:

Ten takes apart The Filharmonic

First off for the group vs. group for who’s safe

  • Home Free vs. Ten
    • Home Free: Stars. Professional. Lost the pitch at the top. Hasn’t really stepped off the ledge.
    • Ten: United in praise at DeeDee’s solo. At times too mellow. Needs to take BIGGER risks
    • Safe: Home Free
    • USO: Ten
  • The Filharmonic vs Vocal Rush
  • Filharmonic: Dropped the ball on rhythm and arrangement
  • Vocal Rush: Rocked out. Bridge missed the chance to go to the next level.
  • Safe: Vocal Rush
  • USO: The Filharmonic

The final song is “Should I Stay or Should I Go” which I think while the topic is relevant, the song is a 6-alarm WTF for both groups.

Neither group has a really astounding performance here. Ten is a little muddy while Filharmonic is back into rhythm but lost some of the show. Both had good and bad points but neither group really reached me enough to put many more notes down beyond that. Performance-wise I think The Filharmonic may have edged Ten here. But taking into consideration their earlier performance, and where I think both groups potential lie in the series. I’m thinking the judges will pick Ten.

Each group speaks about how they feel:

  • Ten: It would mean everything to make it to the finale. But if not. It means everything to us
  • Joe: Making it this far… we’re so far. We just want to represent for a cappella. We’re happy.

The Judges decide to save Ten.

Next Episode: Last Episode of the year (and hopefully not the series…again)

Monday @ 8pm the 2 hr finale.

Performance from the groups, the judges, Nick (and 98 degrees), Pentatonix, other survivors?

Downside. No live show, no fan voting. Hopefully no charity editing.

The Sing-Off_ Season 4, Episode 6- Judges' Choice - EPEpisode 6 – “Judges’ Choice”

The groups still in the game – Home Free, Ten, Vocal Rush, and The Filharmonic.

Home Free – five men in their twenties, super-tight harmonies, clear tenor lead with the occasional toss to the uber-bass. Lots of performing experience at festivals. They consider themselves “country a cappella” but they are proving to be comfortable applying their style to songs that are not traditionally “country.”

Ten – Ten members (duh), mixed voices. Mature, rich sound, lots of experience as background singers so the harmonies are very full and developed. All of the leads shine. I will steal from Jewell here because she verbalized what I was thinking, which is “I’m not sure what kind of group you are. What kind of records do you want to cut?” This has been puzzling me as well.

Vocal Rush – Performing arts high school group. Twelve members, full of energy and heart, with some pretty mature abilities. The harmonies are a little light on the low/middle end which is really the only thing that highlights their youth.

The Filharmonic – Classic boy-band, adorable, energetic. They have a couple of solid leads that are holding things down pretty well. They have been on the chopping block a couple of times and I personally feel they don’t have a lot of variety; they stick right on the 90’s boy-band sound all the time and I’m getting a little tired of it.


Opening number:

I didn’t know the song but as usual, the opening number was completely enjoyable. I think the bass from Home Free must sing at a sub-sonic level.


The Filharmonic: “Baby I Need Your Lovin’”

Pretty much the same old thing. I didn’t hear enough soul. The lead was happy and sincere but I still didn’t feel quite enough desperation in “I neeeed your lovin’’” Nice choreography, fun to watch but the ooomph was missing. You can’t just throw it a pelvic thrust and equate it with the true aching need that you hear in the Four Tops version. I’m’a leave Jewell’s comments about climaxes alone.

Ten: “Proud Mary”

Wow, this is a song I have trouble imagining a cappella. But of the groups here they are the only one that could probably pull it off. Oh yeah, they did. Very solid, enjoyable performance. The “Tina Turner” lead got a little breathless occasionally, but she wasn’t locking a chord with anyone, and it seemed to fit with the frenetic pace of the song. The backup was really what made this arrangement.

Home Free: “Colder Weather”

I didn’t know this song at all so I could only judge this performance against other Home Free performances. It was clearly in their wheelhouse. Loved Rob’s solo, so beautiful and sincere. I actually liked his better than Austin’s solo. Austin shied away from the “country vowels” they were a little too rounded for this song. You have to do that in a choral arrangement if other singers are singing the same words at the same time, but I don’t think they were; he could have freestyled it just a touch more. And why does he always go “Bah-ah-ay-bee”, instead of “Bay-yay-yay-bee” like most self-respecting country vocalists? I enjoyed the performance and overall it showed off their strengths and reminded us where they came from.

Vocal Rush: “My Songs Know What You Did In The Dark”

I didn’t know this song either. Because I’m hopelessly out of touch. But, this meant, again, I didn’t have a prior performance in mind to compare their arrangement to. Classic Vocal Rush performance; energetic, lots of variety in the arrangement. Thought I heard the various leads go sharp here and there (dark and fire). But, they were so, so, in it and I was in there with them. I can see this group selling tickets, if not records, based on the popularity of Glee and Pitch Perfect. Maybe more so than Ten even though Ten is much better technically.

Safe: Home Free & Vocal Rush

USO: Ten & The Filharmonic

Ulitmate SingOff: “Should I Stay Or Should I Go” (BTW WTF???)

The Filharmonic pretty much did their same old thing and they did it well. But as usual there was no variety. In contrast, Ten seemed to have a different flavor to each verse. And their sound is so much bigger (not just because of more members but also because of more sound in the lower range) that Fil was clearly overwhelmed.

The thing is, a Filipino Boy Band might sell more tickets than a mature gospel/soul group. Based on vocal performance, my winner is Ten by a lot. If the judges are using commercial viability as a criterion, they might go with Filharmonic.

drum roll…Ten is safe!!!  I’m happy to see talent win over commercialism this teeny-weeny time.

Until the finale…







The Sing-Off_ Season 4, Episode 5- Movie NightMy quick rundown on the three Ultimate Sing-Off match-ups from Episode 5

AcoUstKats vs VoicePlay – “Eye Of The Tiger”

Well, it was very entertaining. They were totally transparent about this being pre-staged this time. The show seemed to be trying to keep that secret up to this point. Acoustikats lead lost control of the pitch a couple of times. It was so much about staging and working together I don’t think I can judge their performances separately.  I still hope Voice Play is the one they keep out of this pairing (consistent with my pre-USO pick).


Ten vs Vocal Rush – “Fame”

Another “let’s work together” number. Good performance, I really enjoyed it. maybe they should tour together. I think that Ten’s verses were richer and actually sounded more like a band than Vocal Rush. From a business point of view, Vocal Rush may be more commercial, because they are young, and I’m afraid that may start to play into the decision. Toss-up; I am chickening out of a call on this one. (I didn’t realize there were going to be three…so I didn’t pick a third in the pre-USO write up.)


Home Free vs The Filharmonic – “I’m Alright”

Fun! And not in a bad way. No missteps that I detected. In the rare times that each group sang by themselves, they had their own character. Home Free had tighter, richer harmonies even though there are fewer of them. They were my pick out of this pairing (consistent with my pre-USO call).

If they had put The Filharmonics against the Acoustikats I would have been in trouble. But they didn’t!



Home Free, Ten, and Vocal Rush all safe. Yaaay!

One left to save out of Voice Play, The Filharmonic, and Acoustikats – The Filharmonic? Really?

Upon reflection, they will round out the final four and make an entertaining show. Voice Play had been a little uneven throughout but I think I would rather hear a Voice Play concert than a Filharmonic concert because everything Fil does sounds the same. I’m looking forward to the Final Four. This season is really going way too fast though.

Until next time…


The Sing-Off_ Season 4, Episode 5- Movie NightI would like to thank Andrei for the invitation to join him in blogging the Sing-off. He sets a very high bar so I hope I do not disappoint.

Episode 5 – Part 1

Opening number – Time Of My Life

I could have done an entire entry just on the pairings of the leads, but this is a two-hour episode and I think there will be a lot more to talk about. Altogether the performance was a great production; the arrangement really built up well to the dramatic climax. There may have been a tiny tear-up.

Home Free – Another good one! From Andrei’s pre-show write up I knew what their song choice was, and I thought Pretty Woman should work well for them. And boy, did it. I loved the mix of “toe tapping” and “tenderness” that they weaved in. Really tight harmonies which I have come to expect, appreciate, and frankly, that I think are missing from a lot of the other groups. This had just enough country flair to be true to their roots without making me say “oh, that’s a country-western version of Pretty Woman.” I did catch a glimpse of the Oak Ridge Boys a few times. Nice to see them “suited up.” (oh, wait, was that just another version of Shawn Stockman’s “you look lovely”? At least I saved it for the end of the critique.

Vocal Rush – I’m so glad they gave multiple leads the chance to shine, including their beat-boxer! Kyana was really lovely (her voice! I am not pulling a Shawn). They were all wonderful. I was surprised they could connect so well with this song emotionally since 1) it came out before they were born and hasn’t been remade, to my knowledge, by an artist they would be familiar with and 2) they are usually very exuberant and I was not sure they had the ability to restrain themselves without pulling back completely. But, I was wrong.

Acoustikats – Old Time Rock n Roll. I was expecting a return to the “frat boy kats” with this one, which is a shame because I enjoyed their more choral style “Amazed.” Actually, I felt like they toned down the frat boy just enough to still be entertaining but they did not make me cringe this time. The choreography was less chaotic than in past weeks. All three leads were their strongest performance yet. I wish they had actually had someone do the slide across the floor if they were going to strip to boxers-n-sox. They are entertaining to watch but I wouldn’t want to listen to an album.

The Filharmonic – Don’t Wanna Miss A Thing. I was a little nervous for them. It’s a BIG rock ballad and they have done neither of those styles so far.  They turned the arrangement into something more comfortable for them, and it worked, it was very “them.” I heard a little loss of control in the leads a couple of times, which is easy to do when you are selling the emotion of a song (armchair directors, like armchair quarterbacks, are allowed to criticize people who are, in fact, doing something than better than the armchair can do it themselves). It was fine but I’m getting a little tired of them; they are not really evolving.

Voice Play – They were coached about being more emotionally connected. I didn’t think that “Don’t you forget about me” really needed that, but I liked this performance the best of all their performances so far. Harmonies were much tighter. I liked the arrangement. I liked the “Breakfast Club” character costumes. I liked lead #2 getting to shine a bit. But, the breakdown (la, la, la) fell apart a little and Honey lost control of the pitch.  Such a shame, because I was really with them until that.

Ten – Skyfall – I had no preconception of this song other than “How is Ten going to make the most of their gospel roots (I say that because they seem to say that about themselves). Well, the breakdown certainly answered that; the finish of the song was great. The lead in the first verse was really good, I couldn’t take my eyes off of her. Stealing from Jewell, they have such a good “choral” sound and that speaks to me. They are getting better every episode. However, I’m not sure they have my heart.

I am writing this after the broadcast, but I have not read ahead. I’m going to call Acoustikats and Filharmonic to be going home based on pre-USO performances.

Next entry – the Ultimate Sing Off match-ups.

Jut a really quick post that my review of Episode 6 will be up later today.

But! Before then… I want to welcome Armchair Judge Erin to the blog who will also be putting up comments and reviews as well. I’ll let Erin do up a little bio post; assuming I haven’t terrified her with all the annoying meta. I’m really thrilled to be bringing her on board and I hope you’ll enjoy her opinions as much as I do.